Telling the Story – Christmas Day 2016

Luke 2:1-14 Christmas Day, Christ Church Highbury 2016

The story of Christ’s birth has been re-told over and over again in the two millennia since he came to earth. The message of good news of great joy that the angels brought to the shepherds has been brought to countless people all over the world in many, many different ways.

Most of us at some point have been in a nativity play. I achieved the great heights of playing Mary in my childhood – although I was always a little jealous that my sister played the Angel Gabriel and as a result had a much prettier costume.

[A quick poll of the congregation revealed a host of nativity play roles. From Marys, Josephs and angels, to a mouse and a ‘host’. Upon further investigation, this wasn’t a sophisticated angel, this was a child who was somehow in a production of the nativity that included a Strictly Come Dancing component!!]

This year, I know quite a few grown-ups who are in nativities. My friend’s mum – in her 60s – has played a King in the ‘living nativity’ in Ely. She even got to ride a real-life camel!

Up in Doncaster, friends who had their second baby earlier this year are responsible for providing Jesus at their church’s nativity (although as baby Leonie was born in April, Jesus will have been sitting up in the manger and not looking anything like a newborn)!

A few weeks ago, a friend of mine was visiting her God-daughter, this baby’s 4-year-old sister Amelia. They’d got the family’s nativity set out and Amelia was going through the figures, telling her Godmother who each one was:

“This is Mary and Joseph, and Baby Jesus. These are the wise men and these are the shepherds and this is the angry cow…”

Her godmother questioned the last one. “The angry cow??”

“Yes” Amelia replied, “the angry cow”.

“Ok” said her godmother. “I thought that’s what you said. But why is he angry?”

Amelia explained: “Well, he woke up expecting to have breakfast and there was a baby in his hay!”

Quite logical really!! Upon further questioning, it turned out that this was an extra flourish Amelia’s Junior Church leader had given her re-telling of the nativity the week before, as part of their preparations for their church’s nativity play.

The ‘angry cow’ is up there with the two lobsters, octopus and spiderman at the nativity in the film Love Actually. In fact, odd characters are quite a thing – like the child who played the door-knob on the Inn Keepers’ door! Or a nativity play where aliens land and watch a nativity play performed by school children – very meta.

But, these unusual characters actually serve a really important purpose: they help to tell the story in a way that helps different people to connect with it.


Each of the gospel depictions of the Nativity tell the same story, but they emphasise different parts of the narrative. This passage from Luke demonstrates who he wanted to particularly connect the story of Jesus’ birth with…

It begins grounded in historical fact. The census that took place while Quirinius was governor of Syria, at the decree of Roman Emperor Caesar Augustus. Luke is often described as the historian of the New Testament. He regularly cites individuals and events that help date the events of Jesus and the apostles’ lives. The census that causes Joseph to have to return to his home-town of Bethlehem is an something that historians know to be one of the first duties that Quirinius performed upon becoming governor.

Jesus’ birth is a historical event on a par with the actions of politicians.

Luke continues his account by demonstrating how Jesus’ birth is the fulfilment of prophecies long spoken. Born in Bethlehem, in the line of King David, the prophecies of Micah and Isaiah are fulfilled. The angels’ words to the shepherds confirm this too: “Today in the town of David a Saviour has been born to you; he is the Messiah, the Lord.”

The birth of this baby is the embodiment of promises God had made his people for centuries.

 The shepherds too, are part of Luke’s focus. They are the people to whom Jesus’ birth is announced in this gospel, rather than the magi. So the first to hear the news of the Messiah’s birth are not rich rulers, but some of the poorest of society, making their living on the hills surrounding Bethlehem.

Jesus is not a Messiah for the rich and powerful. He has come in poverty – born in a stable – and the first to visit him are shepherds with few worldly possessions. Because they lived and worked outside, in the middle of nowhere, shepherds were usually not able to be particularly observant in terms of their religion – so Luke is also showing that the Messiah had come not just for those who had followed every last letter of the Jewish law.

More than this, the angels declare to the shepherds that they bring you good news that will cause great joy for ALL the people.’ Luke emphasises that Jesus has come to bring salvation for everyone throughout his gospel. He highlights the outcasts of society – women, tax-collectors, Samaritans – and demonstrates how Jesus showed his love to them.

The coming of the Messiah is good news for the whole world. Regardless of gender, race or wealth.


Luke’s version of the story of Jesus’ birth therefore has several purposes:

  • To ground it in historical fact.
  • To demonstrate its fulfilment of prophecy.
  • And to highlight that he came to save EVERYONE.

I’m pretty sure none of us here are shepherds. (I could be wrong – but I’ve never seen any sheep grazing on Highbury Fields!) But Luke’s words do include us. As foreigners, and probably non-Jews, we are among those who would not have been thought – at the time of Jesus’ birth – to be beneficiaries of God’s promises. But we are!

The story of the Nativity: the angels; the virgin and the man promised to her in marriage; the birth in Bethlehem; the shepherds and the magi – they are so much more than just characters. They are the people through whom God’s work of salvation plays out.

Luke’s account of the birth of Christ emphasises those who needed to be part of the narrative, so that those like them could see that Jesus came for them too. Our modern-day nativities may include some slightly odd characters, but in doing so, they open up the story in new ways to new people.

There probably wasn’t an angry cow in the stable alongside Mary, Joseph and the baby Jesus. But imagining that there was, and thinking through the implications of Jesus’ birth has at least helped one 4 year old to meditate upon the story in a new way, that she could understand.

We may laugh at the lobsters, the octopus, and even aliens that get added to nativity plays – but we remember them and with that memory is the story.

We are all invited to be part of the story of Christ’s birth. The angels have brought good news of great joy to each and every one of us, and we all have a role to play!

Some of the characters at the Love, Actually nativity. [‘Eight is a lot of legs David!’]

Ten years? Actually?

This year marks the tenth anniversary of the release of the now classic Love, Actually. Yes, I’ll give you a minute to get over the shock of that news. Ten years. Ten. Whole. Years.


We know it’s 2013, and that therefore 2003 was a decade ago, but am I alone in disbelieving this fact? This time 10 years ago I was coming to the end of my first term studying a MA at King’s, back in London after a year’s exile working in a bookshop in Gloucester. My internet was still dial-up; MSN Messenger was my primary form of communication between friends; Tony Blair was still PM; there were still new episodes of Friends, SATC & Dawson’s Creek to be watched… Can it really be a whole ten years ago??

I remember the release of Love, Actually vividly and for good reason. On the night of its world premiere (in London), I was babysitting a toddler in a flat in Muswell Hill, while her whole family (grandmother – my landlady; parents; aunt & uncle) attended the premiere, thanks to a fortuitous social connection. I still remember receiving a phone call that began “Elizabeth, remember I mentioned we might have tickets for the premiere of that new Richard Curtis film?” and wondering if I was about to be offered one of them – but no, I instead landed a lucrative babysitting job. [Angela, my landlady, always called me Elizabeth. I wasn’t in trouble, she just preferred it.]

56 year old Angela and I had a mutual love of one of the film’s stars. Not Hugh Grant, Bill Nighy or even Colin Firth – Alan Rickman. [I have explained before that love of the Rickman crosses several generations.] That night, Angela had her photo taken with the lovely Alan. When she showed it to me there were girly squeals from both of us!

Ten years later, my memories of Love, Actually‘s arrival into the world are bittersweet. Less than five years after I moved out of Angela’s house, she lost her battle with lung cancer. Every year, when I have my annual present wrapping while watching Love, Actually evening, I think of her.

I’m not the only person to have realised that the film is celebrating its entry into double figures – the lovely people at The Hairpin spotted it too, and marked the occasion with a series of stories imagining where the lead characters are now, accompanied by fabulous gifs of pivotal moments in the film.

10YearsSarahTell me this isn’t one of the best scenes? And who hasn’t one of those moments themselves?? 

And where is Sarah? 

“That Valentine’s Day she dined alone. A bottle of wine and five courses to herself. It wasn’t until the second that she realized a man two tables away had the same idea. By the third, she decided she would ask him to join her. By the fourth, she did. By the fifth, she was certain. By dessert, so was he.”

In France the other week, someone shared a story in their sermon about their son who’d insisted on being a dinosaur in his primary school’s nativity plays. Obviously, the line “Eight is a lot of legs, David.” sprung to mind immediately. So, in his honour – and in honour of all parents who are discovering what part their little darlings will be playing this year (is it just me, or has this been all over Facebook in the last week?), here’s the scene that changed our nativity play imaginations forever:

And actually, one last thing. You know what’s fun? Listening to the film’s soundtrack (by which I mean the score, as opposed to the songs – although both All You Need is Love and All I want For Christmas are fabulous) while wondering around the Christmassy streets of London, imagining that I’m living the plot of a Richard Curtis movie. Let me say again, Richard Curtis gave me unrealistic expectations about life!