One of my birthday present highlights this year was a pair of Harry Potter, Marauder’s Map pyjamas. Because nothing says ‘responsible vicar type person’ like PJ’s with fictional characters on…
My birthday weekend coincided with the biggest Potter event to have hit the Muggle world since the final film instalment appeared five years ago. The Cursed Child play premiered and its script was released – both on the date upon which, in 1991, Harry Potter first discovered he was a wizard. [Yes, I just googled the year.]
In fact, the whole week was something of a Harry Potter fest…
On the Wednesday, a few days after the play’s premiere, with a couple of hours free in Soho, I took myself off to the House of MinaLima – a shop and exhibition of the work done by the films’ graphic design team. Nestling behind the Palace Theatre (the play’s home) on Greek Street, the shop is a treasure trove of Potter detail. Some of it’s familiar from the films (like the Daily Prophet front pages and the Ministry’s Proclamations) – but the level of detail in objects you probably hadn’t even noticed is phenomenal!
Hogwarts letters to a certain Mr H. Potter & a selection of textbooks.
Thursday of that week had one priority alone: the purchasing of tickets for the aforementioned (and not at all high profile) Harry Potter play. For next year. In fact, for possibly 18 months’ time – depending on availability. The queue opened at 10am and I logged my place. At 11am *just* 10,000 people were ahead of me. Soon after noon, it was my turn.
Myy turn to click through EVERY SINGLE SATURDAY, any date within school holidays (in honour of my teacher sister) and even, when I got desperate, a few Sundays (believing I could always make a quick getaway for a 1pm start). I spent over an hour trying to get tickets, but failed. Informed that no tickets were available (presumably together) for the date I’d chosen. Every. Single. Time. Utterly depressing. (Especially as some friends later acquired tickets – on a Saturday – at gone 5pm. Perhaps I lacked stamina in my ticket buying!)
I thought that would be the end of Potter for that week. I didn’t even buy the play as solace for my lack of tickets. [I have issues with play reading. And overly high expectations.] But I didn’t count for Friday…
One of my meetings that Friday was with a guy from Harvard Divinity School who’s involved in some fascinating research on non-religious communities and what the church can learn from them. [Potentially the subject of a whole other post. Honestly, it’s exciting stuff!] It was a fun conversation, and towards the end he threw in the factoid that he’d recently begun co-hosting a podcast based on Harry Potter. My ears pricked up, especially when I heard the title: ‘Harry Potter and the Sacred Text’.
I’ve now listened to the first few episodes (the most recent is only number 13) and I’m impressed. In fact, I just about managed to jump on the podcast’s bandwagon before it jumped into the iTunes podcast charts! Even the Guardian’s discovered it.
Here’s the thing. What the podcast is *not* suggesting is that it IS a sacred text. This is not when all the uber-conservative Christians who claimed Harry Potter was occultish are proved right! What Casper ter Kuile & Vanessa Zoltan *are* exploring is what happens when we analyse, reflect upon and go deeply into Rowling’s work. It’s taking some of the principles of sacred text reading and applying them to a series that millions of people have read (more than once) and whose content in terms of number of words easily outstrips that of other sacred texts. [HP has, in total, 1,084,170 words compared to the KJV’s 783,137.]
As all readers of the series/viewers of the films will know, the central themes of Harry Potter are ones that are also found in sacred texts: death; good versus evil; violence; the power of love; resurrection… Comparisons between the series and the Chronicles of Narnia (a deliberately Christian allegory) are not uncommon. The way in which Rowling grapples with these big questions is largely to thank for the series’ popularity – they’re not dumbed down for the sake of being a “children’s book”.
Back to the podcast. It’s not too long (25 minutes). Each episode focuses on a chapter of the book – beginning at chapter 1 of Philosopher’s Stone. [Though sadly, being American, it uses the unfortunate – and wrong – US title!] Casper & Vanessa are engaging and competitive – I’m a fan of the weekly challenge to summarise the chapter in under 30 seconds. [Seriously, could you do it??]
It’ll make you think a lot more deeply about some of the themes and characters in the books – even in the comparatively (to the later books) cheery first volume. Like The West Wing Weekly, it might inspire you to return to the books and read along with the podcast. And, as far as I’m concerned, it provides a welcome alternative to my current journey through the back catalogue of You Must Remember This. [Which is a wonderful podcast, but if I listen to too many in a row, I forget which decade I’m living in!]
And, for now, the podcast helps alleviate a little of the pain I still feel when I think about those flipping Cursed Child tickets!