I don’t really do gratuitous gore. My days of staying up late with a horror-fiend friend watching ‘torture porn’ (i.e. the Hostel and Saw genres of film – not actual porn) are long gone. I do not, as a mature grown up person with a LoveFilm subscription, enjoy films containing gore for gore’s sake.
However, I’m of the opinion that some forms of gore are necessary in films and that in those cases, saying that you don’t want to watch them because of the gore is verging on the unacceptable.
Over the last couple of weeks, I’ve had negative responses to tweets mentioning a couple of ‘gory’ films. The first was Looper [recent blockbuster starring Bruce Willis]. Friends stopped watching it because “we found it too gory”. That’s probably fair enough, given as a major plot element involves shooting your future self in the head. The second was The Killing Fields [Oscar winning true life story], which after I tweeted that I was watching it received the response: “I can’t stand gore”. That may be your standpoint on gore, but quite frankly, it’s utterly essential to the film and its message…
I found myself watching The Killing Fields after a long Saturday of theology reading. I’d had it for a while, but was inspired to finally watch it having read a Guardian article about the upcoming 20th anniversary of the Rwandan genocide. Yes, I do realise that the film is set in Cambodia, but I think you can see the connection. I’d been trying to remember the name of a Rwandan film I’d watched a while ago and ended up in yet another Wikipedia vortex – this resulted in my wanting to do nothing more than watch another genocide film. I know it doesn’t sound relaxing and it wasn’t, but once a historian, always a historian.
There are several films relating to genocide which could be described as ‘gory’ and they are. But you know what? So is genocide. Most of these films are based on true events and tell stories that the rest of the world need to hear. None of them could possibly depict violence, death and destruction that’s even half as bad as what actually happened. Avoiding these films because of their gore is effectively denial. Denial that this has happened multiple times in the last century. That it keeps on happening in this self-destructive world. That it’s probably happening right this moment in Syria. That it may happen somewhere else in the very near future.
If the gore upsets you or makes you nauseous, close your eyes; walk out of the room briefly; hide behind a cushion; or fast forward – but whatever you do, don’t use the violence within these films as an excuse to not watch them. The people who died in the real versions deserve to be heard.
This may seem a bit wrong, but here are some of my ‘must watch’ films on this subject:
The Killing Fields – The massacre that took place under Pol Pot’s regime in Cambodia in the 1970′s. Tells the story of two journalists (one American, one Cambodian) who work together to share the truth of what was happening prior to the Khmer Rouge’s invasion. The fields in the title were paddy fields covered with the bodies of thousands of Pol Pot’s victims.
Schindler’s List; The Piano; Sarah’s Key – Obviously, there are hundreds of films featuring the Holocaust, but these are three that spring to mind. Schindler’s List depicts the utterly mindless violence of the death camps. The Pianist evokes the terror of being a Jew in Warsaw, while Sarah’s Key does the same but for Paris. The latter (which is the most recent of the trio) is utterly heart-breaking.
As I wrote this, I tried to think of films that are set during the conflict in former Yugoslavia – all I could think of was Welcome to Sarajevo which I’ve never actually seen. It’s strange that given the atrocities there, few films have emerged. If I’ve overlooked any you know of, do let me know.